
This post is more than a movie review. It is also political commentary.
*****
The only twist in plot left in modern cinema is that there be absent a political agenda. The Visitor is another monument to the liberal left wanting it both ways. To be sure, this is a well-written, professional, but independent production that has an exceptional cast. Normally cast in cameo and supportive roles, Richard Jenkins carries this movie with ease. Besides Jenkins, director and writer Tom McCarthy had great talent to showcase in the exceptional Hiam Abbas with newcomers Haaz Sleiman and Danai Gurira. When actors give performances like they did here, it is easy to get lost in the story; to find their characters believeable, likable, and compelling.
Jenkins plays an aging professor, Walter, at a small college in Connecticut, seemingly lost at the end of a teaching career for which he has no more passion. Forced to go to a seminar in New York, he returns to his longtime vacant apartment while he is there, only to find that it has been sublet without his knowledge to a young, unmarried (but Muslim) couple. For the glory of diversity, the man is from Syria, and his girlfriend is from Senegal.
Every good story involves some measure of character development, and the change in this one is with the good professor. Drawn out by the irrepressible Tarik Khalil (played by Sleiman), who convinces him to take up the African version of the conga drum, Walter begins to awaken to the life around him, and especially to his two new friends.
The plot deepens when Tarik is taken into custody by the New York police, and turned over to the immigration authorities when it is learned that he is in the country illegally. Walter learns this separately from Tarik's girlfriend, who is afraid of being detained and deported herself, since she is an illegal, herself. Up to this point, we only know of Tarik's mother, who lives in Michigan, and whom he calls at least once a week to let her know how he is doing. We meet her for the first time when she shows up at the door of Walter's apartment, expecting to find her son. The mother, a tough no-nonsense character, is played by the beautiful Hiam Abbas.
This is where the "agenda punchline" is revealed. The movie makers use iconic American symbols and phrases to set up the audience like posters that exclaim "Support Our Troops", the American flag, the Statue of Liberty, and Ellis Island. A story unfolds, showing a callous, unfeeling man beginning to care about the world around him, and then the evil, arbritrary, tyrannical American immigration system interrupts the lovefest. By the way, none of the promo tag-lines even give a hint of the horrors awaiting our beloved characters. What we do read is "brilliant and nuanced performances" (this is true), "moving, humane, and life-affirming" (also true), "You can't help be be Uplifted" (not necessarily true).
My conclusion is this: I know that it should not come as a surprise, but the brazened duplicity of the liberal left never ceases to amaze me. They are tireless in their attempts to destroy the very fabric of our country that makes people from everywhere else want to move, live, and prosper here. The last time I looked, Syria and Senegal were not having to deport unwanted illegal aliens. Anyone foolish enough to enter either of those countries illegally are usually detained, murdered, and their bodies either buried in unmarked graves, or left to the hyenas and buzzards. Syria is ruled by an iron-fisted tyrant, while Senegal is engulfed in lawless, chaotic tribalism, yet American immigration policies--and those who enforce them--are the monsters in this movie.
The Visitor is artful propaganda. Enjoy the art if you will, but beware of the propaganda. Joseph Goebbels would have been proud of this effort.